Leonard Meyer Emotion And Meaning In Music Pdf

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Emotion and Meaning in Music

By Leonard B. Composers and performers of all cultures, theorists of diverse schools and styles, aestheticians and critics of many different persuasions are all agreed that music has meaning and that this meaning is somehow communicated to both participants and listeners. This much, at least, we may take for granted. But what constitutes musical meaning and by what processes it is communicated has been the subject of numerous and often heated debates. The first main difference of opinion exists between those who insist that musical meaning lies exclusively within the context of the work itself, in the perception of the relationships set forth within the musical work of art, and those who contend that, in addition to these abstract, intellectual meanings, music also communicates meanings which in some way refer to the extramusical world of concepts, actions, emotional states, and character. Let us call the former group the absolutists and the latter group the referentialists. In spite of the persistent wrangling of these two groups, it seems obvious that absolute meanings and referential meanings are not mutually exclusive: that they can and do coexist in one and the same piece of music, just as they do in a poem or a painting.

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Emotion and meaning in music

Leonard B. Meyer January 12, — December 30, was a composer , author , and philosopher. He contributed major works in the fields of aesthetic theory in music, and compositional analysis. Meyer studied at Columbia University , where he received both a B. He continued on to study at University of Chicago , where he was awarded a Ph. In , he became a member of the music department at the University of Chicago , in he was appointed professor of music at the University of Chicago and in professor of music and the humanities at the University of Pennsylvania. He became professor emeritus at Pennsylvania in

Sign in Create an account. Syntax Advanced Search. Emotion and Meaning in Music. Leonard B. University of Chicago Press

Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions. McAllester, American AnthropologistA book which should be read by all who want deeper insights into music listening, performing, and composing. Raskin, Chicago Review. Emotion and Meaning in Music.


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Leonard B. Meyer

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Emotion and Meaning in Music

Шифры, которые невозможно взломать. Банкиры, брокеры, террористы, шпионы - один мир, один алгоритм. Анархия.

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 Подумайте, мистер Клушар, - тихо, но настойчиво сказал Беккер.  - Это очень важно. Клушар заморгал. - Я не знаю… эта женщина… он называл ее… - Он прикрыл глаза и застонал. - Как.

В голосе Беккера слышались извиняющиеся нотки: - Простите, но это определенно осмысленные слова. Они выгравированы очень близко одно к другому и на первый взгляд кажутся произвольным набором букв, но если присмотреться повнимательнее, то… становится ясно, что надпись сделана по-латыни. - Вы что, морочите нам голову? - взорвался Джабба.

 Я не электрик. Позвони в технический отдел. - В куполе нет света. - У тебя галлюцинации. Тебе пора отправляться домой.

 - Я вел себя довольно глупо. Я хотел лично сказать Росио, какое удовольствие получил от общения с ней несколько дней. Но я уезжаю сегодня вечером.

Стратмор продолжал спуск. Сделка отменяется. Нуматек корпорейшн никогда не получит невзламываемый алгоритм… а агентство - черный ход в Цифровую крепость. Он очень долго планировал, как осуществит свою мечту, и выбрал Нуматаку со всей тщательностью.

Он шарахался из стороны в сторону, не выпуская Сьюзан из рук, стараясь не дать Стратмору возможности выстрелить. Движимый страхом, он поволок Сьюзан к лестнице. Через несколько минут включат свет, все двери распахнутся, и в шифровалку ворвется полицейская команда особого назначения. - Мне больно! - задыхаясь, крикнула Сьюзан.

 Очень остроумно. - Вы болван, Стратмор, - сказал Хейл, сплюнув.  - К вашему сведению, ваш ТРАНСТЕКСТ перегрелся.

4 Response
  1. OriГіn C.

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  2. Landolf N.

    Emotion and meaning in music. Meyer, Leonard B. © University of Chicago Press​. •. , c

  3. Dhhddd7

    Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist.

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